The Ullens Center for Contemporary Art (UCCA) in Beijing, China, presents “William Kentridge: Notes Towards a Model Opera,” a comprehensive retrospective that marks the artist’s largest exhibition in Asia to date. Displayed across a two-story edifice designed by Kentridge’s frequent collaborator Sabine Theunissen in the UCCA Great Hall, the show includes works from nearly every major project the artist has undertaken from 1988 to the present. The exhibition spans a vast array of media: two-dimensional artworks in India ink, charcoal, linocut, and silkscreen print on paper; kinetic sculptures that evoke the Duchampian ready-made tradition; several multi-channel video artworks comprising dozens of projections; and a large-scale installation in the form of an operatic model complete with mechanical puppet actors.

Curated by UCCA Director Philip Tinari with Assistant Curator Zoe Diao, “William Kentridge: Notes Towards a Model Opera” opened to the public June and runs until August 30, 2015. The exhibition has been made possible with the support of Rolex. Barco is the video equipment sponsor; GENELEC is the exclusive sound equipment support. Additional support comes from Goodman Gallery and Marian Goodman Gallery. Promotional videos for the exhibition were co-produced by UCCA and Action Media.